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	<title>the dossiers &#187; art</title>
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		<title>Cut-ups and the Internet</title>
		<link>http://thedossiers.net/cut-ups-and-the-internet/</link>
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		<pubDate>Wed, 09 Jun 2010 20:02:16 +0000</pubDate>
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		<guid isPermaLink="false">http://thedossiers.net/?p=1199</guid>
		<description><![CDATA[[An online &#8220;overview,&#8221; first published 1999; most recently updated [$Date: 2004/03/29 19:14:39&#160;$]]

The cut-up (or &#8220;cutup&#8221;) is a method of juxtaposition where a work (usually text) is cut into pieces and the pieces rearranged in a random order, similar to the montage or collage technique in painting. The traditional cut-ups of Brion Gysin and William S. [...]]]></description>
			<content:encoded><![CDATA[<p>[An online &#8220;overview,&#8221; first published 1999; most recently updated [$Date: 2004/03/29 19:14:39&nbsp;$]]</p>
<p><a href="http://www.jwz.org/webcollage/"><img src="http://www.jwz.org/webcollage/collage.jpg" alt="JWZ's WebCollage" title="JWZs WebCollage" name="JWZs WebCollage" width="800" height="600" class="alignleft size-full wp-image-1201" /></a></p>
<p>The <i>cut-up</i> (or &#8220;cutup&#8221;) is a method of juxtaposition where a work (usually text) is cut into pieces and the pieces rearranged in a random order, similar to the montage or collage technique in painting. The <a href="http://www.bigtable.com/primer/0013b.html">traditional cut-ups</a> of Brion Gysin and William S. Burroughs were done manually with scissors, razor blades, axes and other cutting devices. (Netmonkey.com has published an <a href="http://www.netmonkey.com/1997/features/cutup/">excellent summary of the theory behind the cut-up method</a>, and <a href="http://userpage.fu-berlin.de/~cantsin/gysin/cut-up.cgi">another good one</a> is in Brion Gysin&#8217;s own&nbsp;words.)</p>
<p>Scissors are no longer necessary for making cut-ups; they can be performed more efficiently using a digital computer. The following is a list of open source tools for cutting up etexts and other data using open-source software. The best of these tools improve on the process, generating Markov chains from text input and who knows what&nbsp;else.</p>
<p>Note that the cut-up does not free the artist from the duty of expression; cut-ups serve as a compositional aid and are not a substitute for the act of composition&nbsp;itself.</p>
<ul>
<li>Florian Cramer&#8217;s &#8220;<a href="http://userpage.fu-berlin.de/~cantsin/index.cgi">Permutations</a>&#8221; contains what he calls &#8220;the only technically &#8216;proper&#8217; <span class="caps">CGI</span>-Adaption of Gysin&#8217;s/Burroughs&#8217; cutup method.&#8221; (All of the site&#8217;s <a href="http://userpage.fu-berlin.de/~cantsin/sources/download.cgi">Perl source code</a> is GPLed.)
<li>Lee Worden offers a <a href="http://www.speakeasy.org/~worden/cutup/">similar cutup <span class="caps">CGI</span></a> which uses a different algorithm than Florian&#8217;s, but is also easy to use.
<li><tt>cutup</tt>, part of the <tt>tinyutils</tt> package (deprecated), is a small shell script for cutting up an input text file into four sections and then reassembling the slices diagonally. (a Perl rewrite should feature the ability to choose the number of x- and y- slices on the text.)
<li>Luke Kelley&#8217;s <a href="http://www.bigtable.com/cut-up/">Cut-Up Machine</a> is a Web cgi that lets you insert up to 100 elements from <cite>Naked Lunch</cite> into the output text.
<li><tt><a href="http://MrFeinberg.com/babel/babel.cgi">English as She is Spoken</a></tt> is Jonathan Feinberg&#8217;s Python script which takes text and runs it through AltaVista&#8217;s <a href="http://babelfish.altavista.com/">Translations</a> service, and then runs the output through again, multiple times until no further &#8220;linguistic mutations&#8221; occur.
<li>An earlier Translations tool is the <a href="http://www.archive.org/~art/babelphone.html">Transmogrifier</a>; this tool powers a <a href="http://www.archive.org/~art/babelchat.html">multi-lingual chat room</a> (within 10 years you will probably be able to select a default language in your net interface and see the entire Internet translated in such fashion.)
<li><tt><a href="http://www.notam.uio.no/~mariusw/c-g.writing/chef.l.txt">chef</a></tt> is a lex scanner for outputting its input text in the dialogue of a Swedish chef; the Debian <tt>filters</tt> package contains a bunch of these little text dialogue filters.
<li>The <a href="http://www.nightgarden.com/shannon.htm">Shannonizer</a> takes text or <span class="caps">URL</span> input and outputs a translation by a number of famous writers, including Hunter S. Thompson and Lewis Carroll.
<li><a href="http://www.cise.ufl.edu/cgi-bin/cgiwrap/~mad/BABLE.pl"><span class="caps">BABLE</span></a> is a Perl script that generates Markov chains. It works best on large texts.
<li><a href="http://www.comedia.com/Hot/jargon_3.0/JARGON_D/DISSPRES.HTML">Dissociated Press</a> is an Emacs function for &#8220;dissociating&#8221; the current buffer, combining words and characters to form newords and charcatures; in Emacs, type:<br />
<blockquote><p>
<tt>M-x dissociated-press&nbsp;&lt;<span class="caps">RET</span>&gt;</tt>
</p></blockquote>
<li>Jamie Zawinski&#8217;s <a href="http://www.jwz.org/dadadodo/">dadadodo</a> generates Markov chains of word frequencies. One of its best features is the ability to scan a given text and write a compiled object file which you can then use later to generate output based on the original text.
<li><span class="caps">JWZ</span>&#8217;s latest is <a href="http://www.jwz.org/webcollage/">webcollage</a>, which builds a collage of random images from the Web on the root window of your X session.
<p>Ideas for improvements/expansions to&nbsp;<tt>webcollage</tt>:</p>
<ul>
<li>ability to specify a single host or localhost directory tree when searching for images;
<li>ability to specify the number of random images to output (coupled with the above gives a random-image cgi that could be useful for Web sites).
<li>ability to save the image from the root window to a file (with as many of the original file properties saved as possible)
<li>ability to limit images from a site or sites (say, display random images from eBay auctions)
<li>integrated with the window manager so that a double-click with the left mouse button (say) opens a default web browser window with the <span class="caps">URL</span> of the originating image; a triple-click (say) pastes the <span class="caps">URL</span> to the X selection.
<li>option for outputting to an .html file, either with x number of <tt>&lt;img src&gt;</tt> lines or with an image map
<li>including a text option so that random pages/paragraphs/sentences/words/chars of text can be added to the output
</ul>
</ul>
<p>This last one leads to an idea for an avant-garde web-art project: you write a program that obtains random text from the Web and then outputs that text in <span class="caps">HTML</span>, with random links interspersed through the text (the link heuristics are configured by a filter file whose entries contain two lines: the pattern to match in the input text and the link to use in the output, either a specific <span class="caps">URL</span> or a text value, in which case it uses a random <span class="caps">URL</span> containing that text); the resultant page is then a <b>hypertext cut-up</b>. Will sites allow you to link to them in such a context?  Will linking out of context be outlawed? Or will popular browsers eventually contain <tt>cut-up-mode</tt> toggles, enabling a network of enthusiasts to trade and morph their filters, even holding filter-contests for the most unique views of/traversals through the&nbsp;Web?</p>
<p></p>
<p>Free software cutup tools are described in <a href="http://www.nostarch.com/lcbk2.htm"><cite>The Linux Cookbook, 2nd&nbsp;edition</cite></a>.</p>
<p>Related to this subject is a page on <a href="http://www.notam.uio.no/~mariusw/c-g.writing/">computer-generated&nbsp;writing</a>.</p>
<p>As is <a href="http://draves.org/fuse">Fuse</a> by Scott Draves. The algorithm is inspired by <tt>dissociated-press</tt> but works on images, not&nbsp;text.</p>
<p>Another related subject is generative art&thinsp;&#8212;&thinsp;art where devices such as computers are used to generate source material (which, as with cut-ups, may then be reinterpreted, modified and otherwise used by the artist). Like cut-ups, it poses interesting philosophical issues of authorship and the creation or invention process. The definitive site for generative art research and free software tools is&nbsp;<a href="http://www.generative.net/">www.generative.net</a>.</p>
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		<title>Street photography</title>
		<link>http://thedossiers.net/street-photography/</link>
		<comments>http://thedossiers.net/street-photography/#comments</comments>
		<pubDate>Sun, 08 Mar 2009 21:18:19 +0000</pubDate>
		<dc:creator>admin</dc:creator>
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		<guid isPermaLink="false">http://thedossiers.net/?p=1000</guid>
		<description><![CDATA[A collection of links and information on street&#160;photography.

Techniques, issues and&#160;instructions
amazon_ad_tag = "netdiscount-20";  amazon_ad_width = "300";  amazon_ad_height = "250";
&#8220;Photojournalism Assignments and&#160;Techniques&#8221;
Lens stabilization is key to making good SP&#160;images.
An illustrated essay on legal issues with&#160;photojournalism
Getting sued for taking street&#160;portraits
Still alive, a photoblog with technique and how-to articles of interest to street photographers, all part of [...]]]></description>
			<content:encoded><![CDATA[<p>A collection of links and information on street&nbsp;photography.</p>
<p></p>
<h2>Techniques, issues and&nbsp;instructions</h2>
<p><span class="amazonify_omakase" style="float:left;margin:5px;"><script type="text/javascript">amazon_ad_tag = "netdiscount-20";  amazon_ad_width = "300";  amazon_ad_height = "250";</script><script type="text/javascript" src="http://www.assoc-amazon.com/s/ads.js"></script></span></p>
<p><span class="dquo"><span class="dquo">&#8220;</span></span><a href="http://commfaculty.fullerton.edu/lester/writings/chapter2.html">Photojournalism Assignments and&nbsp;Techniques</a>&#8221;</p>
<p>Lens <a href="http://www.digitaljournalist.org/issue9805/cameracorner.htm">stabilization</a> is key to making good <span class="caps">SP</span>&nbsp;images.</p>
<p>An illustrated essay on <a href="http://www.digitalstoryteller.com/YITL/Mark%20Lent/february22.html">legal issues with&nbsp;photojournalism</a></p>
<p>Getting <a href="http://gothamist.com/2005/06/26/photographer_sued_for_taking_portrait.php">sued</a> for taking street&nbsp;portraits</p>
<p><a href="http://blog.nonphotography.com/">Still alive</a>, a photoblog with technique and how-to articles of interest to street photographers, all part of Nitsa&#8217;s &#8220;<b>no rules</b>&#8221; site of <a href="http://www.nonphotography.com/">nonphotography</a> (freeform street photos). (Example: <a href="http://www.nonphotography.com/Gallery/favorite/feb07/favorite0207_005.html">Holga of Randy&#8217;s&nbsp;Donuts</a>)</p>
<p>Good discussion: &#8220;<a href="http://forum.deviantart.com/galleries/photography/612341/">Gettting those great candid shots. I am too shy or scared. What do you do? got any horror&nbsp;stories?</a>&#8221;</p>
<p><a href="http://www.nickturpin.com/">Nick Turpin</a> was <a href="http://strobist.blogspot.com/2009/03/nick-turpin-back-on-street.html">featured on Strobist</a> in 2009 for an interesting <cite>Men&#8217;s Health</cite> photo shoot he did: in taking street photos of various well-dressed people, he underexposed the ambient light and then used a few strobes to &#8220;carve in some highlights&#8221;; and since he didn&#8217;t need tripods or stands for such shots he was fine even in a photo-unfriendly city like London (<a href="http://www.in-public.com/">In-Public</a> is Turpin&#8217;s street photography&nbsp;site.)</p>
<p>Examples and tips of <a href="http://photo.net/learn/architectural/exterior">getting architecture on the&nbsp;streets</a>.</p>
<p></p>
<h2>Good examples of street&nbsp;photography</h2>
<p>Todd Gross, <span class="caps">NYC</span>:&nbsp;<a href="http://www.quarlo.com/about.html">Quarlo.com</a></p>
<p>Philip-Lorca Dicorcia, <span class="caps">NYC</span>: <a href="http://www.albrightknox.org/acquisitions/acq_2002/di_Corcia.html">Times Square shots</a>, a series called <b>street&nbsp;portraits</b></p>
<p><a href="http://joesnyc.streetnine.com/">Joe&#8217;s&nbsp;<span class="caps">NYC</span></a></p>
<p><a href="http://photoethnography.com/">photoethnography</a></p>
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		<title>126 Instamatic film</title>
		<link>http://thedossiers.net/126-instamatic-film/</link>
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		<pubDate>Sun, 08 Mar 2009 20:19:11 +0000</pubDate>
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		<guid isPermaLink="false">http://thedossiers.net/?p=965</guid>
		<description><![CDATA[Used on vintage cameras as well as for making pinhole&#160;images.
Tutorial with a history of the 126&#160;Kodapack.
(Sold by the frugal&#160;photographer.)
Need a manual for a vintage Kodak 126 camera?

]]></description>
			<content:encoded><![CDATA[<p>Used on vintage cameras as well as for making pinhole&nbsp;images.</p>
<p><a href="http://frugalphotographer.com/cat126.htm">Tutorial with a history of the 126&nbsp;Kodapack</a>.</p>
<p>(Sold by the <a href="http://frugalphotographer.com/">frugal&nbsp;photographer</a>.)</p>
<p><span class="amazonify_text"><a href="http://www.amazon.com/gp/product/0130759945?ie=UTF8&tag=netdiscount-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=0130759945">Need a manual for a vintage Kodak 126 camera</a><img src="http://www.assoc-amazon.com/e/ir?t=netdiscount-20&l=as2&o=1&a=0130759945" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /></span>?</p>
<p></p>
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		<title>Holga</title>
		<link>http://thedossiers.net/holga/</link>
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		<pubDate>Sun, 08 Mar 2009 18:41:51 +0000</pubDate>
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		<guid isPermaLink="false">http://thedossiers.net/?p=942</guid>
		<description><![CDATA[Plastic Russian-made medium format camera (b. 1982). Leaky, unpredictable results, great bright colors. Used for lo-fi art&#160;photography.

&#8220;Plastic fantastic!&#8221; is a nice introductory article, with&#160;illustrations.
Once you&#8217;re sold on it, you need to get one. You can get a low-cost cheap Holga itself, or spend just a few bucks more and get a lomo starter kit that [...]]]></description>
			<content:encoded><![CDATA[<p>Plastic Russian-made medium format camera (b. 1982). Leaky, unpredictable results, great bright colors. Used for <b>lo-fi art&nbsp;photography</b>.</p>
<p><span class="amazonify_product"><iframe align="left"  src="http://rcm.amazon.com/e/cm?t=netdiscount-20&o=1&p=8&l=as1&asins=B000ANBAIS&fc1=000000&IS2=1&lt1=_blank&lc1=0000FF&bc1=000000&bg1=FFFFFF&f=ifr&nou=1" style="width:120px;height:240px;margin:7px;" scrolling="no" marginwidth="0" marginheight="0" frameborder="0"></iframe></span></p>
<p><span class="dquo"><span class="dquo">&#8220;</span></span><a href="http://www.apogeephoto.com/july2001/plastic_fantastic.shtml">Plastic fantastic!</a>&#8221; is a nice introductory article, with&nbsp;illustrations.</p>
<p>Once you&#8217;re sold on it, you need to get one. You can get a low-cost <span class="amazonify_text"><a href="http://www.amazon.com/gp/product/B000AL8JKW?ie=UTF8&tag=netdiscount-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=B000AL8JKW">cheap Holga</a><img src="http://www.assoc-amazon.com/e/ir?t=netdiscount-20&l=as2&o=1&a=B000AL8JKW" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /></span> itself, or spend just a few bucks more and get a <span class="amazonify_text"><a href="http://www.amazon.com/gp/product/B000JFGAUU?ie=UTF8&tag=netdiscount-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=B000JFGAUU">lomo starter kit</a><img src="http://www.assoc-amazon.com/e/ir?t=netdiscount-20&l=as2&o=1&a=B000JFGAUU" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /></span> that comes with all kinds of&nbsp;accessories.</p>
<p></p>
<p><span class="amazonify_product"><iframe align="right"  src="http://rcm.amazon.com/e/cm?t=netdiscount-20&o=1&p=8&l=as1&asins=B000AL8JKW&fc1=000000&IS2=1&lt1=_blank&lc1=0000FF&bc1=000000&bg1=FFFFFF&f=ifr&nou=1" style="width:120px;height:240px;margin:7px;" scrolling="no" marginwidth="0" marginheight="0" frameborder="0"></iframe></span></p>
<p><span class="dquo"><span class="dquo">&#8220;</span></span><a href="http://www.tlucretius.net/Photo/eHolga.html">Holga, my Holga</a>&#8221; fun page with FAQs and info. Follow the tips for <a href="http://www.tlucretius.net/Photo/eHolga.html#prepping">prepping the Holga</a> when you first get it. [<a href="http://www.tlucretius.net/Photo/fHolga.html">en&nbsp;français</a>]</p>
<p>A page of <a href="http://www.zinkwazi.com/wp/holga-hacks/">holga&nbsp;hacks</a>.</p>
<p><a href="http://www.argonauta.com/html/holga_cameras.htm">Holga cameras</a>: site with tips and&nbsp;info.</p>
<p>Fuji still makes <span class="amazonify_text"><a href="http://www.amazon.com/gp/product/B000ANBAIS?ie=UTF8&tag=netdiscount-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=B000ANBAIS">great film available at a discount in bulk</a><img src="http://www.assoc-amazon.com/e/ir?t=netdiscount-20&l=as2&o=1&a=B000ANBAIS" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /></span> (this is Velvia <span class="caps">RVP</span> 100 color slide film, great for the&nbsp;Holga).</p>
<p></p>
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		<title>HDR</title>
		<link>http://thedossiers.net/hdr/</link>
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		<pubDate>Fri, 06 Mar 2009 20:54:21 +0000</pubDate>
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		<description><![CDATA[
HDR, high dynamic range imaging, an imaging technique developed in the 1930s and 40s by Charles Wyckoff, using tone mapping with bracketed image exposures for a resultant image with a very high dynamic range. Various methods for HDR and HDR-like effects are now popular with digital photography. [wiki] [google]

Notable HDR images and image&#160;galleries
I think one [...]]]></description>
			<content:encoded><![CDATA[<p><span class="amazonify_product"><iframe align="left"  src="http://rcm.amazon.com/e/cm?t=netdiscount-20&o=1&p=8&l=as1&asins=1933952059&fc1=000000&IS2=1&lt1=_blank&lc1=0000FF&bc1=000000&bg1=FFFFFF&f=ifr&nou=1" style="width:120px;height:240px;margin:7px;" scrolling="no" marginwidth="0" marginheight="0" frameborder="0"></iframe></span></p>
<p><span class="caps">HDR</span>, <b>high dynamic range imaging</b>, an imaging technique developed in the 1930s and 40s by Charles Wyckoff, using tone mapping with bracketed image exposures for a resultant image with a very high dynamic range. Various methods for <span class="caps">HDR</span> and <span class="caps">HDR</span>-like effects are now popular with digital photography. [<a href="http://en.wikipedia.org/wiki/High_dynamic_range_imaging">wiki</a>] [<a href="http://www.google.com/search?q=hdr&#038;num=100">google</a>]</p>
<p></p>
<h2>Notable <span class="caps">HDR</span> images and image&nbsp;galleries</h2>
<p>I think one of the best diy <span class="caps">HDR</span> shots on flickr is <a href="http://www.flickr.com/photos/uncommon/2264132877/in/set-72157603852146761/">this one</a>.<br />
Sometimes these <span class="caps">HDR</span>-like images look like a brightly-colored contemporary painting, such as this <a href="http://www.flickr.com/photos/13144640@N00/414895588/">fantastic&nbsp;shot</a>.</p>
<p>Smashing Magazine&#8217;s &#8220;<a href="http://www.smashingmagazine.com/2008/03/10/35-fantastic-hdr-pictures/">35 Fantastic <span class="caps">HDR</span> Pictures</a>&#8221; (scroll down). You can click on them and they&#8217;re pretty breathtaking when seen&nbsp;large.</p>
<p><a href="http://hdrcreme.com/">HDRcreme.com</a> has rated galleries. Do the <a href="http://hdrcreme.com/photo-gallery/?selection=rated">rated gallery view</a> first! One of my favorites&thinsp;&#8212;&thinsp;one of my favorite <span class="caps">HDR</span> photos ever&thinsp;&#8212;&thinsp;is this <a href="http://hdrcreme.com/photo-gallery/1343/">capture of the Griswold Inn, Essex&nbsp;Connecticut</a>.</p>
<p>Good gallery of <a href="http://www.pixelandpoly.com/nyc_in_hdr.html"><span class="caps">NYC</span> in&nbsp;<span class="caps">HDR</span></a>.</p>
<p><span class="dquo"><span class="dquo">&#8220;</span></span><a href="http://www.flickr.com/groups/myfirsthdr/">My first <span class="caps">HDR</span></a>&#8221; is a beginner&#8217;s group. It&#8217;s for your first attempt, and <a href="http://www.flickr.com/photos/70366873@N00/3333953452/in/pool-myfirsthdr">some</a> of the <a href="http://www.flickr.com/photos/lisarandolph/3333049431/in/pool-myfirsthdr">results</a> are quite&nbsp;fantastic.</p>
<p>Need more? Here&#8217;s&nbsp;<a href="http://abduzeedo.com/20-beautiful-hdr-pictures">20</a>.</p>
<p></p>
<h2><span class="caps">HDR</span>&nbsp;tutorials</h2>
<p>This <a href="http://www.cambridgeincolour.com/tutorials/high-dynamic-range.htm"><span class="caps">HDR</span> tutorial</a> also discusses <b>when and why to use&nbsp;it</b>.</p>
<p>The document &#8220;<a href="http://www.debevec.org/Research/HDR/">Recovering High Dynamic Range Radiance Maps from Photographs</a>&#8221; contains many links to <span class="caps">HDR</span> programs and&nbsp;tools.</p>
<p><span class="dquo"><span class="dquo">&#8220;</span></span><a href="http://www.flickr.com/photos/cleever/145838011/">Edit Away - The quest for a perfect <span class="caps">HDR</span></a>&#8221; tells you how to do it with <a href="http://hdrsoft.com">Photomatix</a> software (for&nbsp;Windows).</p>
<p><span class="dquo"><span class="dquo">&#8220;</span></span><a href="http://freenet-homepage.de/hsbosny/HDR_Tutorial/HDR_Tutorial-en.html">Creation of <span class="caps">HDR</span> Images in CinePaint</a>&#8220;&nbsp;(2005)</p>
<h3>Photoshop</h3>
<p>On Flickr, you have to see this short, simple <a href="http://www.flickr.com/groups/strobist/discuss/72157594577686705/">tutorial</a> that shows &#8220;the technique that Dave Hill and Jill Greenberg use on their photos with&nbsp;PhotoShop.&#8221;</p>
<p>An <a href="http://www.flickr.com/groups/dynamic_range_increase/discuss/74457/">easy, quick way</a> with Photoshop (and a&nbsp;tripod).</p>
<h3>The <span class="caps">GIMP</span>, Linux, free software in&nbsp;general</h3>
<p>The oddly-named <a href="http://qtpfsgui.sourceforge.net/">Qtpfsgui</a> is a true <span class="caps">HDR</span> imaging&nbsp;application.</p>
<p>There&#8217;s a <a href="http://blog.sweetbytes.net/2008/02/exposure-blending-using-only-free.html">blog post on exposure blending</a> using only free&nbsp;software.</p>
<p>One free-software suite for <span class="caps">HDR</span> is <a href="http://www.mpi-sb.mpg.de/resources/pfstools/">pfstools</a>. There&#8217;s a <a href="http://flickr.com/groups/technique/discuss/72157594155731025/">discussion</a> on using&nbsp;it.</p>
<p><a href="http://tir.astro.utoledo.edu/jdsmith/exposure_blend.php">Contrast blending with the&nbsp;<span class="caps">GIMP</span></a></p>
<p>gimp.org&#8217;s tutorial on <a href="http://www.gimp.org/tutorials/Blending_Exposures/">blending&nbsp;exposures</a>.</p>
<p>Gimp has an <a href="http://nifelheim.dyndns.org/~cocidius/hdrtools/"><span class="caps">HDR</span> tools</a> plugin, although I&#8217;ve yet to get it&nbsp;going.</p>
<p>There&#8217;s a Flickr discussion on <a href="http://www.flickr.com/groups/gimpusers/discuss/72057594090329325/?search=hdr">how to achieve <span class="caps">HDR</span> effects with the <span class="caps">GIMP</span></a>.<br />
There&#8217;s another discussion on <a href="http://www.flickr.com/groups/gimpusers/discuss/72157600058477338/?search=hdr">faking it</a>. See also these step-by-step tutorials on <a href="http://www.flickr.com/groups/gimpusers/discuss/72157605572978973/?search=hdr">handmade tone mapping</a> and <a href="http://www.flickr.com/groups/gimpusers/discuss/72157594244302422/?search=hdr">simple photo blending</a>.<br />
You can do something similar by <a href="http://www.flickr.com/groups/gimpusers/discuss/72157604174119354/?search=hdr">adjusting the intensity of the sky</a> in a&nbsp;picture.</p>
<p>You can fake it by blending, if you only have one image: &#8220;<a href="http://herselfswebtools.com/2008/02/how-to-create-hdr-images-in-gimp-with-a-single-image.html">How to create <span class="caps">HDR</span> images in Gimp with a single image</a>&#8221; [<a href="http://usefreetools.blogspot.com/2008/01/try-exposure-blend-plugin-for-gimp-to.html">more</a>] [<a href="http://gimpology.com/submission/view/fake_hdr_look_in_gimp/">more</a>] [<a href="http://geekonahill.blogspot.com/2007/05/making-fake-hdr.html">still&nbsp;more</a>]</p>
<p>Instructables.com comes through with &#8220;<a href="http://www.instructables.com/id/HDR-photos-with-the-GIMP/"><span class="caps">HDR</span> photos with the&nbsp;<span class="caps">GIMP</span></a>.&#8221;</p>
<h2>For further&nbsp;reading</h2>
<table>
<tr>
<td><span class="amazonify_product"><iframe align="left"  src="http://rcm.amazon.com/e/cm?t=netdiscount-20&o=1&p=8&l=as1&asins=0817499997&fc1=000000&IS2=1&lt1=_blank&lc1=0000FF&bc1=000000&bg1=FFFFFF&f=ifr&nou=1" style="width:120px;height:240px;margin:7px;" scrolling="no" marginwidth="0" marginheight="0" frameborder="0"></iframe></span></p>
<td><span class="amazonify_product"><iframe align="left"  src="http://rcm.amazon.com/e/cm?t=netdiscount-20&o=1&p=8&l=as1&asins=1600591965&fc1=000000&IS2=1&lt1=_blank&lc1=0000FF&bc1=000000&bg1=FFFFFF&f=ifr&nou=1" style="width:120px;height:240px;margin:7px;" scrolling="no" marginwidth="0" marginheight="0" frameborder="0"></iframe></span></p>
<td><span class="amazonify_product"><iframe align="left"  src="http://rcm.amazon.com/e/cm?t=netdiscount-20&o=1&p=8&l=as1&asins=1933952326&fc1=000000&IS2=1&lt1=_blank&lc1=0000FF&bc1=000000&bg1=FFFFFF&f=ifr&nou=1" style="width:120px;height:240px;margin:7px;" scrolling="no" marginwidth="0" marginheight="0" frameborder="0"></iframe></span></p>
<td><span class="amazonify_product"><iframe align="left"  src="http://rcm.amazon.com/e/cm?t=netdiscount-20&o=1&p=8&l=as1&asins=1933952059&fc1=000000&IS2=1&lt1=_blank&lc1=0000FF&bc1=000000&bg1=FFFFFF&f=ifr&nou=1" style="width:120px;height:240px;margin:7px;" scrolling="no" marginwidth="0" marginheight="0" frameborder="0"></iframe></span><br />
</table>
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		<title>Contemporary photographers</title>
		<link>http://thedossiers.net/contemporary-photographers/</link>
		<comments>http://thedossiers.net/contemporary-photographers/#comments</comments>
		<pubDate>Fri, 06 Mar 2009 16:09:43 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[dossier]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[people]]></category>
		<category><![CDATA[photography]]></category>

		<guid isPermaLink="false">http://thedossiers.net/?p=859</guid>
		<description><![CDATA[Photographers that are shooting today and whose work is interesting for one reason or&#160;another.

amazon_ad_tag = "netdiscount-20";  amazon_ad_width = "300";  amazon_ad_height = "250";


Eve Astrid Andersson, a careful photographer who uses Philip Greenspun&#8217;s photo publishing system. [random&#160;photo]


Bob Delaney, whose sharp, vivid images are shot by vintage and classic film cameras (as well as some contemporary [...]]]></description>
			<content:encoded><![CDATA[<p>Photographers that are shooting today and whose work is interesting for one reason or&nbsp;another.</p>
<p></p>
<p><span class="amazonify_omakase" style="float:left;margin:5px;"><script type="text/javascript">amazon_ad_tag = "netdiscount-20";  amazon_ad_width = "300";  amazon_ad_height = "250";</script><script type="text/javascript" src="http://www.assoc-amazon.com/s/ads.js"></script></span></p>
<ul>
<li>
<p><a href="http://www.eveandersson.com/">Eve Astrid Andersson</a>, a careful photographer who uses Philip Greenspun&#8217;s photo publishing system. [<a href="http://www.eveandersson.com/random-photo">random&nbsp;photo</a>]</p>
</li>
<li>
<p><a href="http://www.d2gallery.com/">Bob Delaney</a>, whose sharp, vivid images are shot by vintage and classic film cameras (as well as some contemporary point-and-shoot&nbsp;cameras).</p>
</li>
<li>
<p><a href="http://www.davidadam.com/">David Adam Edelstein</a>&#8217;s haunting b/w <a href="http://www.davidadam.com/street/">street photography</a> and<br />
<a href="http://www.davidadam.com/noir/">film&nbsp;noir</a></p>
</li>
<li>
<p><a href="http://www.liamfrankland.com/">Liam&nbsp;Frankland</a></p>
<li>
<li>
<p><a href="http://www.izix.com/">Ellen Isaacs</a> whose photos [<a href="http://www.izix.com/personal/photos/england/rowhouses.php">example</a>] are available for purchase as <a href="http://www.izix.com/photocards/England/RowHouses.php">greeting&nbsp;cards</a>.</p>
</li>
<li>
<p>Mesmeric <a href="http://leidorf.blogspot.com/">aerial photography</a> by <a href="http://www.leidorf.de/">Klaus Leidorf</a>. [<a href="http://leidorf.blogspot.com/2007/08/winter-trees.html">example</a>]</p>
</li>
<li>
<p><a href="http://www.flickr.com/photos/lyrical">Ex-Flickr member</a> <b>lyrical</b>: where&nbsp;now?</p>
</li>
</ul>
<p></p>
<ul>
<li>
<p>Yves Marchand and Romain Meffre are two French photographers whose series, &#8220;<a href="http://reliques.online.fr/detroit/detroit01.html">The Ruins of Detroit</a>,&#8221;  covers much of the same ground as my older and ongoing project, &#8220;American Ruins&#8221;: the <a href="http://reliques.online.fr/detroit/detroit00.html">wreckage</a> of a once-great nation on the edge of its final dissolution and decay. Although in their case the subject is limited to downtown Detroit, Michigan, the theme is&nbsp;identical.</p>
</li>
<li>
<p><a href="http://www.flickr.com/photos/sbprzd/">Seb Przd</a>&#8217;s original and mind-bending &#8220;images that cannot be taken with physical cameras.&#8221; (His open-source algorithmic, processed <a href="http://www.flickr.com/groups/equirectangular/discuss/72057594138421542/">technique</a> uses <a href="http://user.cs.tu-berlin.de/~nowozin/autopano-sift/">panoramas</a> and <a href="http://hugin.sourceforge.net/">stitching</a> and <a href="http://enblend.sourceforge.net/">overlapping</a>, plus much&nbsp;more.)</p>
</li>
<li>
<p>Incredible <a href="http://www.flickr.com/photos/thedarlinglife/sets/72157608148453028/">portraits</a> by an incredibly young <a href="http://www.flickr.com/people/thedarlinglife/">Laura&nbsp;Taylor</a>.</p>
</li>
<li>
<p><a href="http://www.bobbyneeladams.com/">Booby Neel Adams</a>, who has a series of <a href="http://www.bobbyneeladams.com/age.html">age-blended portraits of the same person both young and&nbsp;old</a>.</p>
</li>
<li>
<p>Various interesting photographers are features in the <a href="http://webdelsol.com/Five_Points/gallery.shtml"><cite>Five Points</cite> magazine online &#8220;art&#8221;&nbsp;archives</a>.</p>
</li>
<li>
<p>Cole Thompson&#8217;s <a href="http://colethompsonphotography.com/Favorites.htm">black and white images</a>, like <a href="http://colethompsonphotography.com/TheAngelGabriel.htm">Gabriel of Newport Beach</a>&nbsp;(2006).</p>
</li>
<li>
<p><a href="http://www.mbfala.com/artists/">Various artists</a> represented by M+B (Los&nbsp;Angeles).</p>
</li>
<p><span class="amazonify_omakase" style="float:left;margin:5px;"><script type="text/javascript">amazon_ad_tag = "netdiscount-20";  amazon_ad_width = "300";  amazon_ad_height = "250";</script><script type="text/javascript" src="http://www.assoc-amazon.com/s/ads.js"></script></span></p>
<li>
<p>Philip-Lorca Dicorcia, <span class="caps">NYC</span>: <a href="http://www.albrightknox.org/acquisitions/acq_2002/di_Corcia.html">Times Square shots</a>, a series called <b>street&nbsp;portraits</b></p>
</li>
<li>
<p><a href="http://www.quarlo.com/">Quarlo</a>&#8217;s <span class="caps">NYC</span> photography. (<b>Todd&nbsp;Gross</b>)</p>
</li>
<li>
<p><a href="http://joesnyc.streetnine.com/">Joe&#8217;s <span class="caps">NYC</span></a> street&nbsp;photography.</p>
</li>
<li>
<p><a href="http://www.martijnvandegriendt.nl/">Martijn van de&nbsp;Griendt</a>.</p>
</li>
<li>
<p>Peter Miller&#8217;s <a href="http://www.kamprint.com/">photogravure&nbsp;etchings</a>.</p>
</li>
<li>
<p>Good photos of space at the <span class="caps">NASA</span> <a href="http://antwrp.gsfc.nasa.gov/apod/">Astronomy picture of the&nbsp;day</a>.</p>
</li>
</ul>
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		<title>Dorothea and Sy Barlowe</title>
		<link>http://thedossiers.net/dorothea-and-sy-barlowe/</link>
		<comments>http://thedossiers.net/dorothea-and-sy-barlowe/#comments</comments>
		<pubDate>Thu, 05 Mar 2009 17:10:45 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[dossier]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[books]]></category>
		<category><![CDATA[nature]]></category>
		<category><![CDATA[people]]></category>
		<category><![CDATA[science]]></category>

		<guid isPermaLink="false">http://thedossiers.net/?p=785</guid>
		<description><![CDATA[Artists and book illustrators. Specialized in nature art and illustrations of the natural world. Worked with Herbert S. Zim on vintage Golden Guides, including the Seashore Life&#160;volume.

Web site: http://www.barloweartnet.com/ (gone) [archive]
Dorothea Barlowe: [google]
[Works by Dorothea Barlowe]
Sy Barlowe: [google] [Works by Sy Barlowe]

]]></description>
			<content:encoded><![CDATA[<p>Artists and book illustrators. Specialized in nature art and illustrations of the natural world. Worked with <a href="http://thedossiers.net/herbert-s-zim">Herbert S. Zim</a> on vintage Golden Guides, including the <span class="amazonify_text"><a href="http://www.amazon.com/gp/product/1582381496?ie=UTF8&tag=netdiscount-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=1582381496"><cite>Seashore Life</cite></a><img src="http://www.assoc-amazon.com/e/ir?t=netdiscount-20&l=as2&o=1&a=1582381496" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /></span>&nbsp;volume.</p>
<p><span class="amazonify_product"><iframe align="left"  src="http://rcm.amazon.com/e/cm?t=netdiscount-20&o=1&p=8&l=as1&asins=0486410595&fc1=000000&IS2=1&lt1=_blank&lc1=0000FF&bc1=000000&bg1=FFFFFF&f=ifr&nou=1" style="width:120px;height:240px;margin:7px;" scrolling="no" marginwidth="0" marginheight="0" frameborder="0"></iframe></span></p>
<p>Web site: http://www.barloweartnet.com/ (gone) [<a href="http://web.archive.org/web/19981203131548/http://www.barloweartnet.com/">archive</a>]</p>
<p>Dorothea Barlowe: [<a href="http://www.google.com/search?hl=en&#038;num=100&#038;q=%22dorothea+barlowe%22&#038;btnG=Search">google</a>]<br />
[<a href="http://www.amazon.com/gp/search?ie=UTF8&#038;keywords=%26%2334%3Bdorothea%20barlowe%26%2334%3B&#038;tag=netdiscount-20&#038;index=blended&#038;linkCode=ur2&#038;camp=1789&#038;creative=9325">Works by Dorothea Barlowe</a><img src="http://www.assoc-amazon.com/e/ir?t=netdiscount-20&#038;l=ur2&#038;o=1" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" />]</p>
<p>Sy Barlowe: [<a href="http://www.google.com/search?q=%22sy+barlowe%22&#038;num=100">google</a>] [<a href="http://www.amazon.com/gp/search?ie=UTF8&#038;keywords=%26%2334%3Bsy%20barlowe%26%2334%3B&#038;tag=netdiscount-20&#038;index=blended&#038;linkCode=ur2&#038;camp=1789&#038;creative=9325">Works by Sy Barlowe</a><img src="http://www.assoc-amazon.com/e/ir?t=netdiscount-20&#038;l=ur2&#038;o=1" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" />]</p>
<p></p>
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		<title>Automatism in art</title>
		<link>http://thedossiers.net/automatism-in-art/</link>
		<comments>http://thedossiers.net/automatism-in-art/#comments</comments>
		<pubDate>Thu, 05 Mar 2009 17:01:42 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[dossier]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[experiments]]></category>
		<category><![CDATA[HOW-TO]]></category>
		<category><![CDATA[psych]]></category>

		<guid isPermaLink="false">http://thedossiers.net/?p=783</guid>
		<description><![CDATA[Automatism is a form of &#8220;instant art&#8221;&#8201;&#8212;&#8201;the destination, the final product, the aim of the work is completely and purposefully unknown at the time of commencement. It&#8217;s exactly like automatic writing, but a picture, not words: instant illustration. Automatic drawing and automatic&#160;painting.

Used by surrealists (surrealist automatism) [wiki] it&#8217;s a technique applied equally to drawing and [...]]]></description>
			<content:encoded><![CDATA[<p>Automatism is a form of &#8220;instant art&#8221;&thinsp;&#8212;&thinsp;the destination, the final product, the aim of the work is completely and purposefully unknown at the time of commencement. It&#8217;s exactly like automatic writing, but a picture, not words: instant illustration. Automatic drawing and automatic&nbsp;painting.</p>
<p><span class="amazonify_product"><iframe align="right"  src="http://rcm.amazon.com/e/cm?t=netdiscount-20&o=1&p=8&l=as1&asins=0823030717&fc1=000000&IS2=1&lt1=_blank&lc1=0000FF&bc1=000000&bg1=FFFFFF&f=ifr&nou=1" style="width:120px;height:240px;margin:7px;" scrolling="no" marginwidth="0" marginheight="0" frameborder="0"></iframe></span></p>
<p>Used by surrealists (surrealist automatism) [<a href="http://en.wikipedia.org/wiki/Surrealist_automatism">wiki</a>] it&#8217;s a technique applied equally to <a href="http://www.google.com/search?hl=en&#038;num=100&#038;q=%22automatic+drawing%22&#038;btnG=Search">drawing</a> and <a href="http://www.google.com/search?hl=en&#038;num=100&#038;q=%22automatic+painting%22&#038;btnG=Search">painting</a>. [<a href="http://en.wikipedia.org/wiki/Automatic_painting">wiki</a>]</p>
<p>The topic is discussed in the book <span class="amazonify_text"><a href="http://www.amazon.com/gp/product/0520069714?ie=UTF8&tag=netdiscount-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=0520069714"><cite>Poets on Painters</cite></a><img src="http://www.assoc-amazon.com/e/ir?t=netdiscount-20&l=as2&o=1&a=0520069714" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /></span>, a collection of essays on&nbsp;art.</p>
<p>A good introduction to the technique and its history is found in <a href="http://www.answers.com/topic/automatic-drawing-and-painting">this article from Answers.com</a>, which lists out some of the early pioneers and more famous examples of artists applying techniques of automatism in their work. In 1933, <cite>Time</cite> magazine ran <a href="http://www.time.com/time/magazine/article/0,9171,929936,00.html">an article on automatic painting</a>, profiling the artist Marion Bush. In more recent times it&#8217;s been called &#8220;<a href="http://www.cjmorgan.com/automatic-drawing/automatic-drawing.htm">yoga for artists</a>&#8221; and a way to &#8220;channel&#8221; <a href="http://www.psychic101.com/automatic-drawing.html">altered states of&nbsp;consciousness</a>.</p>
<p></p>
<h2>Automatic-art&nbsp;techniques</h2>
<p>It&#8217;s simple. You just draw (or paint), going with an empty mind&thinsp;&#8212;&thinsp;you don&#8217;t think at what you&#8217;re trying to arrive at or what it is you are trying to illustrate. It&#8217;s all on <i>process</i>. The idea is to just start drawing, or painting, taking the instrument in hand and going&thinsp;&#8212;&thinsp;not thinking, not planning, but allowing for only the motion and the flow. It probably helps if you have the basics of painting already down, so a book like <span class="amazonify_text"><a href="http://www.amazon.com/gp/product/1844480399?ie=UTF8&tag=netdiscount-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=1844480399"><cite>Instant Oil Painting</cite></a><img src="http://www.assoc-amazon.com/e/ir?t=netdiscount-20&l=as2&o=1&a=1844480399" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /></span> is helpful at first just to learn basic&nbsp;craft.</p>
<p></p>
<h2>Automatism as applied to art therapy and&nbsp;meditation</h2>
<p>Techniques of automatic drawing are used for art therapy purposes because of their meditative qualities. Called &#8220;<a href="http://www.google.com/search?q=%22meditative+drawing%22&#038;num=100">meditative&nbsp;drawing</a>.&#8221;</p>
<p>In the literature, this appears in discussion at around the time of the surrealist painters. It&#8217;s the topic of a book by Milton H. Erickson, <span class="amazonify_text"><a href="http://www.amazon.com/gp/product/B001UB4QQC?ie=UTF8&tag=netdiscount-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=B001UB4QQC"><cite>Use of Automatic Drawing in the Interpretation and Relief of a State of Acure Obsessional Depression</cite></a><img src="http://www.assoc-amazon.com/e/ir?t=netdiscount-20&l=as2&o=1&a=B001UB4QQC" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /></span>, which was published in&nbsp;1938!</p>
<p>The trademarked <a href="http://www.zentangle.com/about-what-is--1.php">Zentangle technique</a> is marketed as a form of relaxation, art therapy and meditation. [<a href="http://www.zentangle.com/about-what-is--2.php">benefits</a>] [<a href="http://www.zentangle.com/about-theory.php">theory</a>] [<a href="http://www.zentangle.com/gallery.php">galleries</a>]</p>
<p></p>
<h2>For further&nbsp;reference</h2>
<table>
<tr>
<td><span class="amazonify_product"><iframe align="left"  src="http://rcm.amazon.com/e/cm?t=netdiscount-20&o=1&p=8&l=as1&asins=1872189644&fc1=000000&IS2=1&lt1=_blank&lc1=0000FF&bc1=000000&bg1=FFFFFF&f=ifr&nou=1" style="width:120px;height:240px;margin:7px;" scrolling="no" marginwidth="0" marginheight="0" frameborder="0"></iframe></span></p>
<td><span class="amazonify_product"><iframe align="left"  src="http://rcm.amazon.com/e/cm?t=netdiscount-20&o=1&p=8&l=as1&asins=0520069714&fc1=000000&IS2=1&lt1=_blank&lc1=0000FF&bc1=000000&bg1=FFFFFF&f=ifr&nou=1" style="width:120px;height:240px;margin:7px;" scrolling="no" marginwidth="0" marginheight="0" frameborder="0"></iframe></span></p>
<td><span class="amazonify_product"><iframe align="left"  src="http://rcm.amazon.com/e/cm?t=netdiscount-20&o=1&p=8&l=as1&asins=1560256214&fc1=000000&IS2=1&lt1=_blank&lc1=0000FF&bc1=000000&bg1=FFFFFF&f=ifr&nou=1" style="width:120px;height:240px;margin:7px;" scrolling="no" marginwidth="0" marginheight="0" frameborder="0"></iframe></span></p>
<td><span class="amazonify_product"><iframe align="left"  src="http://rcm.amazon.com/e/cm?t=netdiscount-20&o=1&p=8&l=as1&asins=B001UB4QQC&fc1=000000&IS2=1&lt1=_blank&lc1=0000FF&bc1=000000&bg1=FFFFFF&f=ifr&nou=1" style="width:120px;height:240px;margin:7px;" scrolling="no" marginwidth="0" marginheight="0" frameborder="0"></iframe></span></p>
<tr>
<td><span class="amazonify_product"><iframe align="left"  src="http://rcm.amazon.com/e/cm?t=netdiscount-20&o=1&p=8&l=as1&asins=B0006RH8JS&fc1=000000&IS2=1&lt1=_blank&lc1=0000FF&bc1=000000&bg1=FFFFFF&f=ifr&nou=1" style="width:120px;height:240px;margin:7px;" scrolling="no" marginwidth="0" marginheight="0" frameborder="0"></iframe></span></p>
<td><span class="amazonify_product"><iframe align="left"  src="http://rcm.amazon.com/e/cm?t=netdiscount-20&o=1&p=8&l=as1&asins=B000JJHMO4&fc1=000000&IS2=1&lt1=_blank&lc1=0000FF&bc1=000000&bg1=FFFFFF&f=ifr&nou=1" style="width:120px;height:240px;margin:7px;" scrolling="no" marginwidth="0" marginheight="0" frameborder="0"></iframe></span></p>
<td><span class="amazonify_product"><iframe align="left"  src="http://rcm.amazon.com/e/cm?t=netdiscount-20&o=1&p=8&l=as1&asins=B001TK5VS6&fc1=000000&IS2=1&lt1=_blank&lc1=0000FF&bc1=000000&bg1=FFFFFF&f=ifr&nou=1" style="width:120px;height:240px;margin:7px;" scrolling="no" marginwidth="0" marginheight="0" frameborder="0"></iframe></span></p>
<td><span class="amazonify_product"><iframe align="left"  src="http://rcm.amazon.com/e/cm?t=netdiscount-20&o=1&p=8&l=as1&asins=B000MANNIO&fc1=000000&IS2=1&lt1=_blank&lc1=0000FF&bc1=000000&bg1=FFFFFF&f=ifr&nou=1" style="width:120px;height:240px;margin:7px;" scrolling="no" marginwidth="0" marginheight="0" frameborder="0"></iframe></span></p>
</table>
]]></content:encoded>
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		<title>Daniel Clowes</title>
		<link>http://thedossiers.net/daniel-clowes/</link>
		<comments>http://thedossiers.net/daniel-clowes/#comments</comments>
		<pubDate>Wed, 04 Mar 2009 15:56:41 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[dossier]]></category>
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		<description><![CDATA[
Comic book and graphic-novel artist, progenitor of &#8220;literary comics.&#8221; [bio] [wiki] [catalog] [quotes] [images]
Exhibition at Richard Heller&#160;Gallery
Ghost&#160;World

Conceived in the late 80s, early 90s, serialized 1993-1997, published as a graphic novel 1997. [wiki]
Film adaptation came in 2001. [trailers and footage] [official&#160;site]
Salon interview with director and&#160;Clowes

Interviews
AV Club (2008)
NYTimes (2007)
Wired (2006)
NPR (2005)
Hermenaut
Salon&#160;(2000)

For further&#160;reference












]]></description>
			<content:encoded><![CDATA[<p><span class="amazonify_product"><iframe align="left"  src="http://rcm.amazon.com/e/cm?t=netdiscount-20&o=1&p=8&l=as1&asins=3931377245&fc1=000000&IS2=1&lt1=_blank&lc1=0000FF&bc1=000000&bg1=FFFFFF&f=ifr&nou=1" style="width:120px;height:240px;margin:7px;" scrolling="no" marginwidth="0" marginheight="0" frameborder="0"></iframe></span></p>
<p>Comic book and graphic-novel artist, progenitor of &#8220;<a href="http://www.google.com/search?q=%22literary+comics%22&#038;num=100">literary comics</a>.&#8221; [<a href="http://lambiek.net/artists/c/clowes4.htm">bio</a>] [<a href="http://en.wikipedia.org/wiki/Daniel_Clowes">wiki</a>] [<a href="http://www.fantagraphics.com/index.php?option=com_virtuemart&#038;page=shop.browse&#038;category_id=204&#038;Itemid=62&#038;vmcchk=1&#038;Itemid=62">catalog</a>] [<a href="http://www.brainyquote.com/quotes/authors/d/daniel_clowes.html">quotes</a>] [<a href="http://images.google.com/images?q=%22daniel+clowes%22&#038;num=100">images</a>]</p>
<p><a href="http://www.richardhellergallery.com/dynamic/artist.asp?ArtistID=19">Exhibition</a> at Richard Heller&nbsp;Gallery</p>
<h3>Ghost&nbsp;World</h3>
<p><span class="amazonify_product"><iframe align="left"  src="http://rcm.amazon.com/e/cm?t=netdiscount-20&o=1&p=8&l=as1&asins=B00005T30L&fc1=000000&IS2=1&lt1=_blank&lc1=0000FF&bc1=000000&bg1=FFFFFF&f=ifr&nou=1" style="width:120px;height:240px;margin:7px;" scrolling="no" marginwidth="0" marginheight="0" frameborder="0"></iframe></span></p>
<p>Conceived in the late 80s, early 90s, serialized 1993-1997, published as a graphic novel 1997. [<a href="http://en.wikipedia.org/wiki/Ghost_World">wiki</a>]</p>
<p>Film adaptation came in 2001. [<a href="http://video.google.com/videosearch?q=%22ghost+world%22&#038;num=100&#038;um=1&#038;ie=UTF-8&#038;ei=YqSuSYy-OciLngehldi5Bg&#038;sa=X&#038;oi=video_result_group&#038;resnum=5&#038;ct=title">trailers and footage</a>] [<a href="http://www.ghostworld-the-movie.com/">official&nbsp;site</a>]</p>
<p><a href="http://archive.salon.com/people/conv/2001/07/27/zwigoff_clowes/index.html">Salon interview with director and&nbsp;Clowes</a></p>
<p></p>
<h3>Interviews</h3>
<p><a href="http://www.avclub.com/articles/daniel-clowes,14191/"><span class="caps">AV</span> Club</a> (2008)<br />
<a href="http://papercuts.blogs.nytimes.com/2007/08/24/stray-questions-for-daniel-clowes/">NYTimes</a> (2007)<br />
<a href="http://www.wired.com/culture/lifestyle/news/2006/05/70731">Wired</a> (2006)<br />
<a href="http://www.npr.org/templates/story/story.php?storyId=4715648"><span class="caps">NPR</span></a> (2005)<br />
<a href="http://www.hermenaut.com/a8.shtml">Hermenaut</a><br />
<a href="http://archive.salon.com/people/bc/2000/12/05/clowes/">Salon</a>&nbsp;(2000)</p>
<p></p>
<h2>For further&nbsp;reference</h2>
<table>
<tr>
<td><span class="amazonify_product"><iframe align="left"  src="http://rcm.amazon.com/e/cm?t=netdiscount-20&o=1&p=8&l=as1&asins=1560971835&fc1=000000&IS2=1&lt1=_blank&lc1=0000FF&bc1=000000&bg1=FFFFFF&f=ifr&nou=1" style="width:120px;height:240px;margin:7px;" scrolling="no" marginwidth="0" marginheight="0" frameborder="0"></iframe></span></p>
<td><span class="amazonify_product"><iframe align="left"  src="http://rcm.amazon.com/e/cm?t=netdiscount-20&o=1&p=8&l=as1&asins=0375714529&fc1=000000&IS2=1&lt1=_blank&lc1=0000FF&bc1=000000&bg1=FFFFFF&f=ifr&nou=1" style="width:120px;height:240px;margin:7px;" scrolling="no" marginwidth="0" marginheight="0" frameborder="0"></iframe></span></p>
<td><span class="amazonify_product"><iframe align="left"  src="http://rcm.amazon.com/e/cm?t=netdiscount-20&o=1&p=8&l=as1&asins=1560971169&fc1=000000&IS2=1&lt1=_blank&lc1=0000FF&bc1=000000&bg1=FFFFFF&f=ifr&nou=1" style="width:120px;height:240px;margin:7px;" scrolling="no" marginwidth="0" marginheight="0" frameborder="0"></iframe></span></p>
<td><span class="amazonify_product"><iframe align="left"  src="http://rcm.amazon.com/e/cm?t=netdiscount-20&o=1&p=8&l=as1&asins=037542332X&fc1=000000&IS2=1&lt1=_blank&lc1=0000FF&bc1=000000&bg1=FFFFFF&f=ifr&nou=1" style="width:120px;height:240px;margin:7px;" scrolling="no" marginwidth="0" marginheight="0" frameborder="0"></iframe></span></p>
<tr>
<td><span class="amazonify_product"><iframe align="left"  src="http://rcm.amazon.com/e/cm?t=netdiscount-20&o=1&p=8&l=as1&asins=1560974362&fc1=000000&IS2=1&lt1=_blank&lc1=0000FF&bc1=000000&bg1=FFFFFF&f=ifr&nou=1" style="width:120px;height:240px;margin:7px;" scrolling="no" marginwidth="0" marginheight="0" frameborder="0"></iframe></span></p>
<td><span class="amazonify_product"><iframe align="left"  src="http://rcm.amazon.com/e/cm?t=netdiscount-20&o=1&p=8&l=as1&asins=0143105035&fc1=000000&IS2=1&lt1=_blank&lc1=0000FF&bc1=000000&bg1=FFFFFF&f=ifr&nou=1" style="width:120px;height:240px;margin:7px;" scrolling="no" marginwidth="0" marginheight="0" frameborder="0"></iframe></span></p>
<td><span class="amazonify_product"><iframe align="left"  src="http://rcm.amazon.com/e/cm?t=netdiscount-20&o=1&p=8&l=as1&asins=3931377245&fc1=000000&IS2=1&lt1=_blank&lc1=0000FF&bc1=000000&bg1=FFFFFF&f=ifr&nou=1" style="width:120px;height:240px;margin:7px;" scrolling="no" marginwidth="0" marginheight="0" frameborder="0"></iframe></span></p>
<td><span class="amazonify_product"><iframe align="left"  src="http://rcm.amazon.com/e/cm?t=netdiscount-20&o=1&p=8&l=as1&asins=1560974583&fc1=000000&IS2=1&lt1=_blank&lc1=0000FF&bc1=000000&bg1=FFFFFF&f=ifr&nou=1" style="width:120px;height:240px;margin:7px;" scrolling="no" marginwidth="0" marginheight="0" frameborder="0"></iframe></span></p>
</table>
]]></content:encoded>
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		<title>RBF</title>
		<link>http://thedossiers.net/rbf/</link>
		<comments>http://thedossiers.net/rbf/#comments</comments>
		<pubDate>Thu, 19 Feb 2009 18:06:06 +0000</pubDate>
		<dc:creator>admin</dc:creator>
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		<guid isPermaLink="false">http://thedossiers.net/?p=324</guid>
		<description><![CDATA[R. Buckminster Fuller (1895-1983), inventor, writer, philosopher, speaker, artist, designer, scientist, showman,&#160;explorer

Synergetics
FAQ
Buckminster Fuller Institute&#160;(BFI)
Critical Path&#160;project
Good books to start with: Operating Manual for Spaceship Earth (perhaps most famous, a relevant quick-reading paperback), Utopia or Oblivion: The Prospects for Humanity (good read, relevant paperback), Critical Path, Buckminster Fuller&#8217;s Universe: His Life and Work, And It Came to [...]]]></description>
			<content:encoded><![CDATA[<p>R. Buckminster Fuller (1895-1983), inventor, writer, philosopher, speaker, artist, designer, scientist, showman,&nbsp;explorer</p>
<p><span class="amazonify_product"><iframe align="right"  src="http://rcm.amazon.com/e/cm?t=netdiscount-20&o=1&p=8&l=as1&asins=0312288905&fc1=000000&IS2=1&lt1=_blank&lc1=0000FF&bc1=000000&bg1=FFFFFF&f=ifr&nou=1" style="width:120px;height:240px;margin:7px;" scrolling="no" marginwidth="0" marginheight="0" frameborder="0"></iframe></span></p>
<p><a href="http://www.rwgrayprojects.com/synergetics/synergetics.html"><cite>Synergetics</cite></a></p>
<p><a href="http://www.cjfearnley.com/fuller-faq.html"><span class="caps">FAQ</span></a></p>
<p><a href="http://bfi.org/">Buckminster Fuller Institute&nbsp;(<span class="caps">BFI</span>)</a></p>
<p><a href="http://www.critpath.org/">Critical Path&nbsp;project</a></p>
<p>Good books to start with: <span class="amazonify_text"><a href="http://www.amazon.com/gp/product/3037781262?ie=UTF8&tag=netdiscount-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=3037781262"><cite>Operating Manual for Spaceship Earth</cite></a><img src="http://www.assoc-amazon.com/e/ir?t=netdiscount-20&l=as2&o=1&a=3037781262" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /></span> (perhaps most famous, a relevant quick-reading paperback), <span class="amazonify_text"><a href="http://www.amazon.com/gp/product/3037781270?ie=UTF8&tag=netdiscount-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=3037781270"><cite>Utopia or Oblivion: The Prospects for Humanity</cite></a><img src="http://www.assoc-amazon.com/e/ir?t=netdiscount-20&l=as2&o=1&a=3037781270" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /></span> (good read, relevant paperback), <span class="amazonify_text"><a href="http://www.amazon.com/gp/product/0312174918?ie=UTF8&tag=netdiscount-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=0312174918"><cite>Critical Path</cite></a><img src="http://www.assoc-amazon.com/e/ir?t=netdiscount-20&l=as2&o=1&a=0312174918" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /></span>, <span class="amazonify_text"><a href="http://www.amazon.com/gp/product/0738203793?ie=UTF8&tag=netdiscount-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=0738203793"><cite>Buckminster Fuller&#8217;s Universe: His Life and Work</cite></a><img src="http://www.assoc-amazon.com/e/ir?t=netdiscount-20&l=as2&o=1&a=0738203793" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /></span>, <span class="amazonify_text"><a href="http://www.amazon.com/gp/product/3037781327?ie=UTF8&tag=netdiscount-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=3037781327"><cite>And It Came to Pass - Not to Stay</cite></a><img src="http://www.assoc-amazon.com/e/ir?t=netdiscount-20&l=as2&o=1&a=3037781327" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /></span> (poetry), <span class="amazonify_text"><a href="http://www.amazon.com/gp/product/1607027593?ie=UTF8&tag=netdiscount-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=1607027593"><cite>Grunch of Giants</cite></a><img src="http://www.assoc-amazon.com/e/ir?t=netdiscount-20&l=as2&o=1&a=1607027593" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /></span> (classic about transnational corporations, money, profits and national sovereignty), <span class="amazonify_text"><a href="http://www.amazon.com/gp/product/0020653204?ie=UTF8&tag=netdiscount-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=0020653204"><cite>Synergetics</cite></a><img src="http://www.assoc-amazon.com/e/ir?t=netdiscount-20&l=as2&o=1&a=0020653204" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /></span> (the &#8220;big red book,&#8221; ultimately his masterwork). <span class="amazonify_text"><a href="http://www.amazon.com/gp/product/B000S9AT6S?ie=UTF8&tag=netdiscount-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=B000S9AT6S"><cite>Buckminster Fuller Speaks His Mind</cite></a><img src="http://www.assoc-amazon.com/e/ir?t=netdiscount-20&l=as2&o=1&a=B000S9AT6S" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /></span> (rare multi-disk speaking engagements now on <span class="caps">MP3</span> download), <span class="amazonify_text"><a href="http://www.amazon.com/gp/product/6303852904?ie=UTF8&tag=netdiscount-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=6303852904"><cite>World of Buckminster Fuller</cite></a><img src="http://www.assoc-amazon.com/e/ir?t=netdiscount-20&l=as2&o=1&a=6303852904" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /></span> (old <span class="caps">VHS</span> film features Indira Gandhi and others), <span class="amazonify_text"><a href="http://www.amazon.com/gp/product/B000V8Y9W6?ie=UTF8&tag=netdiscount-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=B000V8Y9W6"><cite>The Clock is Stopping: The Human Scenario</cite></a><img src="http://www.assoc-amazon.com/e/ir?t=netdiscount-20&l=as2&o=1&a=B000V8Y9W6" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /></span> (classic talks from Smithsonian Folkways, previously rare and out of print, now on mp3 with instant download), <span class="amazonify_text"><a href="http://www.amazon.com/gp/product/0471198129?ie=UTF8&tag=netdiscount-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=0471198129"><cite>Bucky Works : Buckminster Fuller&#8217;s Ideas for Today</cite></a><img src="http://www.assoc-amazon.com/e/ir?t=netdiscount-20&l=as2&o=1&a=0471198129" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /></span> (Jay Baldwin&#8217;s late-90s update, a great first intro), <span class="amazonify_text"><a href="http://www.amazon.com/gp/product/B0007US852?ie=UTF8&tag=netdiscount-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=B0007US852"><cite>Buckminster Fuller: The Lost Interviews</cite></a><img src="http://www.assoc-amazon.com/e/ir?t=netdiscount-20&l=as2&o=1&a=B0007US852" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /></span> (incredible <span class="caps">DVD</span> set), <span class="amazonify_text"><a href="http://www.amazon.com/gp/product/097406050X?ie=UTF8&tag=netdiscount-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=097406050X"><cite>Guinea Pig B: The 56 Year Experiment</cite></a><img src="http://www.assoc-amazon.com/e/ir?t=netdiscount-20&l=as2&o=1&a=097406050X" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /></span> (new!), <span class="amazonify_text"><a href="http://www.amazon.com/gp/product/0300126204?ie=UTF8&tag=netdiscount-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=0300126204"><cite>Buckminster Fuller: Starting with the Universe</cite></a><img src="http://www.assoc-amazon.com/e/ir?t=netdiscount-20&l=as2&o=1&a=0300126204" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /></span> (illustrated art book from the Whitney Museum of&nbsp;Art)</p>
<p></p>
<p>Amy Edmonson&#8217;s <a href="http://www.angelfire.com/mt/marksomers/40.html"><cite>A Fuller Explanation: The Synergetic Geometry of R. Buckminster&nbsp;Fuller</cite></a></p>
<p><a href="http://www.ics.uci.edu/~eppstein/junkyard/unfold.html">unfolded&nbsp;polyhedra</a></p>
<p><a href="http://zeta.math.utsa.edu/~yxk833/NatureofOrder.html">The Nature of&nbsp;Order</a></p>
<p><a href="http://www2.bitstream.net/~dbkoski/">t-module&nbsp;project</a></p>
<p><span class="amazonify_product"><iframe align="right"  src="http://rcm.amazon.com/e/cm?t=netdiscount-20&o=1&p=8&l=as1&asins=B0002F81M2&fc1=000000&IS2=1&lt1=_blank&lc1=0000FF&bc1=000000&bg1=FFFFFF&f=ifr&nou=1" style="width:120px;height:240px;margin:7px;" scrolling="no" marginwidth="0" marginheight="0" frameborder="0"></iframe></span></p>
<p><a href="http://www.pcdf.org/meadows/hydrogen.html">Amory&nbsp;Lovins</a></p>
<p><a href="http://www.siude.com/2.7681/1.827980-1.827980">update on rbf home in&nbsp;Carbondale</a></p>
<p><a href="http://www.prsco.com/"><span class="caps">PRSCO</span>&nbsp;robots</a></p>
<p><a href="http://bufo.geo.orst.edu/tc/firma/ip/worlimania/world_tetrahedron_middle.html">world&nbsp;tetrahedron</a></p>
<p><span class="dquo"><span class="dquo">&#8220;</span></span><a href="http://llk.media.mit.edu/projects/emergence/">Exploring&nbsp;Emergence</a>&#8221;</p>
<p><span class="dquo"><span class="dquo">&#8220;</span></span><a href="http://www-formal.stanford.edu/jmc/progress/index.html">Progress and Its&nbsp;Sustainability</a>&#8221;</p>
<p><a href="http://web1.tch.harvard.edu/research/ingber/">The Ingber&nbsp;laboratory</a></p>
<p><span class="dquo"><span class="dquo">&#8220;</span></span><a href="http://www.mightymall.com/1st3seconds/illusion.html">Out-Dated Scientific Perceptions of&nbsp;Reality</a>&#8221;</p>
<p><span class="amazonify_product"><iframe align="left"  src="http://rcm.amazon.com/e/cm?t=netdiscount-20&o=1&p=8&l=as1&asins=B000ZKRGNY&fc1=000000&IS2=1&lt1=_blank&lc1=0000FF&bc1=000000&bg1=FFFFFF&f=ifr&nou=1" style="width:120px;height:240px;margin:7px;" scrolling="no" marginwidth="0" marginheight="0" frameborder="0"></iframe></span></p>
<p><a href="http://www.sculptors.com/lists.html">Reality Sculptors Discussion&nbsp;Groups</a></p>
<p><a href="http://www.newciv.org/">New Civilization&nbsp;Network</a></p>
<p><a href="http://www.geom.uiuc.edu/apps/gallery.html">Gallery of Interactive&nbsp;Geometry</a></p>
<p><a href="http://www.cybozone.com/fg/tobi.html">Tobi</a></p>
<p><a href="http://www.newciv.org/ssread/"><cite>Science and Sanity</cite> Reading&nbsp;List</a></p>
<p><a href="http://www.geodesiclifestyle.com/">Geodesic&nbsp;Lifestyle</a></p>
<p><a href="http://home.dmv.com/~vincent/">Sacred Geometry&nbsp;Discovery</a></p>
<p><span class="dquo"><span class="dquo">&#8220;</span></span><a href="http://www.laetusinpraesens.org/docs/systen1.php">Transcending Duality through Tensional&nbsp;Integrity</a>&#8221;</p>
<p><span class="amazonify_omakase" style="float:left;margin:5px;"><script type="text/javascript">amazon_ad_tag = "netdiscount-20";  amazon_ad_width = "300";  amazon_ad_height = "250";</script><script type="text/javascript" src="http://www.assoc-amazon.com/s/ads.js"></script></span></p>
<p><a href="http://www.u.arizona.edu/~shunter/cads.html"><span class="caps">RBF</span> gopher&nbsp;menu</a></p>
<p><a href="http://www.hasslberger.com/phy/phy_6.htm">Tetra Space&nbsp;Co-ordinates</a></p>
<p><a href="http://groups.yahoo.com/group/synergeo/">synergeo mailing&nbsp;list</a></p>
<p><a href="http://www.uia.be/">Union of International Associations&nbsp;(<span class="caps">UIA</span>)</a></p>
<p><a href="http://www.tabletoptelephone.com/~hopspage/Tetfract.html">Double Tetrahedron&nbsp;Fractal</a></p>
<p><a href="http://vision.arc.nasa.gov/chexagon.html">cortical&nbsp;hexagons</a></p>
<p></p>
<p><span class="dquo"><span class="dquo">&#8220;</span></span><A href="http://www.zyvex.com/nanotech/6dof.html">A New Family of Six Degree Of Freedom Positional&nbsp;Devices</a>&#8221;</p>
<p><span class="dquo"><span class="dquo">&#8220;</span></span><A href="http://pass.maths.org.uk/issue8/features/art/index.html">The art of&nbsp;numbers</a>&#8221;</p>
<p><a href="http://earth360.com/">Bill Lauritzen&#8217;s&nbsp;Earth360</a></p>
<p><span class="dquo"><span class="dquo">&#8220;</span></span><a href="http://www.guardian.co.uk/uk/2001/feb/25/theobserver.uknews">Flying will be as easy as driving a&nbsp;car</a>&#8221;</p>
<p><a href="http://www.yesmag.ca/projects/geodesic.html">geodesic&nbsp;clubhouse</a></p>
<p><a href="http://www.cs.cmu.edu/~virtualized-reality/">virtualized&nbsp;reality</a></p>
<p><a href="http://www.rmi.org/sitepages/pid191.php">hypercar</a></p>
<p><a href="http://siggy.chem.ucla.edu/research%20description/research.html">Research in the Rubin&nbsp;Group</a></p>
<p><a href="http://www.uia.be/en/node/159?kap=64">pattern learning&nbsp;commentaries</a></p>
<p><span class="dquo"><span class="dquo">&#8220;</span></span><a href="http://www.rwgrayprojects.com/OswegoOct2001/Presentation/prsentationWeb.html">Jitterbug Defined Polyhedra: The Shape and Dynamics of&nbsp;Space</a>&#8221;</p>
<p><a href="http://www.transitionrig.com/">variable geometry transition&nbsp;rig</a></p>
<p><a href="http://www.geocities.com/ResearchTriangle/Campus/7107/home.html">Syndex</a>: A <span class="caps">SYNERGETIC</span> <span class="caps">PERSPECTIVE</span> <span class="caps">ON</span> <span class="caps">NUMBER</span> <span class="caps">DYNAMICS</span> <span class="caps">IN</span>  <span class="caps">THEORY</span>  (<span class="caps">NUMERONOMY</span>)  <span class="amp">&amp;</span>  <span class="caps">PRACTICE</span>&nbsp;(<span class="caps">SYNCHROGRAPHICS</span>)</p>
<h2>For further&nbsp;research</h2>
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